Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Fedor Yakovlevich Alekseev
Red Square in Moscow

ID: 92575

Fedor Yakovlevich Alekseev Red Square in Moscow
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Fedor Yakovlevich Alekseev Red Square in Moscow


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Fedor Yakovlevich Alekseev

Fedor Yakovlevich Alekseev Russian: (c. 1753 - November 23, 1824) was an early Russian painter of landscape art. After training in the Saint Petersburg Imperial Academy of Arts, he spent three years in Venice studying the works of famous French and Italian landscape painters. Returning to Saint Petersburg to work, his popularity grew over time. In 1800, Emperor Paul of Russia commissioned a series of paintings of Moscow from him.   Related Paintings of Fedor Yakovlevich Alekseev :. | Portrait of Miss Nellie Patterson | De Koestal | The Mockery of the Owl sg | Seascape, boats, ships and warships. 105 | Triton and Nereid |
Related Artists:
Charles Sprague Pearce
For other people named Charles Pearce, see Charles Pearce (disambiguation). Charles Sprague Pearce (October 13, 1851 - May 18, 1914) was an American artist.
Luigi Premazzi
(Milan, 1814 - Istanbul, Turkey, 1891) was an Italian painter. Premazzi attended the Brera Academy of Fine Arts and then the private school run by Giovanni Migliara. His early watercolours, based on the works of his master, were produced for the lithographic industry. His oeuvre is characterised by a repertoire of urban views produced in accordance with the dictates of perspective painting. While most of these are set in Milan, other Italian cities were also featured in later years. His smooth, precise painting also shows the influence of his contemporary Luigi Bisi in its descriptive focus on architectural detail. He presented work regularly at the exhibitions of the Societe Promotrice di Belle Arti in Turin from 1842 to 1848 as well as those of the Brera Academy. Having moved to Saint Petersburg around 1850, he became a teacher at the Imperial School of Fine Arts there in 1861. Frequent stays in the Caucasus and the Middle East provided new subjects for his paintings, which he continued to send to Italian exhibitions, where they aroused wonder and curiosity.
Circle of Mateo Cerezo the Younger
painted Immaculate Virgin, formerly in the Chapel of Palacio de Penaranda, Spain in 17th century






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